革命历史题材影视作品的红色美学意蕴  

The implication of red aesthetic of the film and television works about revolutionary history

作　　者：杨翠娟 YANG Cuijuan(Academy of Preprimary Education,Yancheng Kindergarten Teachers College,Yancheng,Jiangsu,224005,China)

机构地区：[1]盐城幼儿师范高等专科学校学前教育学院,江苏盐城224005

出　　处：《豫章师范学院学报》2024年第6期56-60,共5页Journal of Yuzhang Normal University

基　　金：2022年度教育部人文社科规划基金项目“铸魂固本:红色基因深度融入高校课程思政研究”(编号:22YJA710045);2021年度江苏省教育科学规划课题“五育融合视域下红色文化融入高职艺术美育的创新实践研究——以学前教育专业为例”(编号:T-c/2021/11)。

摘　　要：革命历史题材影视作品佳作纷呈,富有红色美学意蕴。红色美学内涵丰富,意蕴深远,既包含善养浩然之气的人格美学、以天下为己任的崇高美学和舍生取义的牺牲美学的传统美学基因,又有着除旧布新的革命美学、文化权力的政治美学和实事求是的实践美学的马克思主义美学内核。新时代以来,通过多元红色叙事,融合大众审美文化元素,红色美学展现了丰富的红色审美张力。红色美学特征鲜明,具有人民性、实践性和创新性等特征。There are colorful film and television works about revolutionary history, which have rich meaning of red aesthetics. It encompasses traditional aesthetic genes such as the of cultivating noble character, the sublime aesthetic of taking the word as one's responsibility, and the sacrificial aesthetic of self-sacrifice. It also contains the Marxist aesthetic core of revolutionary aesthetics, political aesthetics of cultural power, and practical aesthetics which seek truth from facts. In the new era, red aesthetics have rich red aesthetic forces by multiple red narration and blending the elements of popular aesthetic culture. People nature, practicality, and innovation are the remarkable features of it.

关 键 词：红色美学 革命历史题材影视作品 政治美学 革命美学 实践美学 

分 类 号：J901[艺术—电影电视艺术]