论影视剧中“妲己”角色形象嬗变  

On the Transformation of“Daji”Character Image in Films and Television Dramas

作　　者：费玥玥 赵雯[1] Fei Yueyue;Zhao Wen(Xi’an Polytechnic University,Xi’an 710048)

机构地区：[1]西安工程大学,西安710048

出　　处：《西部学刊》2025年第2期169-172,共4页Journal of Western

摘　　要：在中国历史里,“狐”有深厚文化内涵,对文学影响深远。20世纪90年代,因传统社会观念,电视剧女性形象弱势且悲惨,妲己被塑造成邪恶狠毒形象。21世纪初,女性意识觉醒使女性角色刻画突破刻板印象,妲己以“大女主”形象亮相荧屏。当代商业社会浪漫主义思潮下,妲己与纣王关系被包装成爱情故事。到2020年,《封神第一部:朝歌风云》中妲己形象塑造摒弃“红颜祸水”论,“她世纪”里女性主体性得以彰显。妲己形象创新与时代变迁和女性主义发展交融,呈现多元审美与历史想象。In Chinese history,the“fox”holds profound cultural connotations and exerts a far-reaching influence on literature.In the 1990s,due to traditional social concepts,female characters in TV dramas were portrayed as weak and tragic,with Daji being depicted as an evil and malevolent figure.At the beginning of the 21st century,the awakening of female consciousness led to a breakthrough in the portrayal of female characters,transcending stereotypes.Daji emerged on the screen as a powerful female lead.By 2020,in Creation of the Gods I:Kingdom of Storms,the portrayal of Daji’image abandoned the“femme fatale”theory,and female subjectivity was manifested in the“Her Century”.The innovation of Daji’s image,intertwined with the evolution of the times and the development of feminism,exhibits diverse aesthetic and historical imaginings.

关 键 词：妲己 《封神演义》 女性角色 影视剧 

分 类 号：J905[艺术—电影电视艺术]