论《玉玦记》的下场诗  

On the curtain-call poems of A Note of Jade

作　　者：庄婷妍 ZHUANG Tingyan(School of Humanities,Wenzhou University,Wenzhou 325035,China)

机构地区：[1]温州大学人文学院,浙江温州325035

出　　处：《镇江高专学报》2025年第1期23-28,共6页Journal of Zhenjiang College

摘　　要：郑若庸的《玉玦记》共有36首下场诗。按其创作情况可分为三类:完全自创类、部分引用或化用类、完全引用或化用类。《玉玦记》的下场诗具有雅俗并存的语言风格。这种语言风格的形成,受到了文人化创作倾向的影响,适应了统治者推行教化的需要,符合民众的欣赏趣味。Zheng Ruoyong s work,A Note of Jade,consists of 36 curtain-call poems.According to their creative situation,they can be divided into three categories:completely self-created,partially referenced or adapted,and fully referenced or adapted.The curtain-call poems of A Note of Jade have an elegant and vulgar language style.The formation of this language style is influenced by the trend of creation for elegance,which adapts to the need for rulers to promote indoctrination and meets the interests of the general public.

关 键 词：郑若庸 《玉玦记》 下场诗 语言风格 

分 类 号：I207.37[文学—中国文学]