拥护一种“20世纪的视觉史”:亨利·朗格卢瓦电影博物馆与历史学家^(a)  

A Visual History of the 20~(th) Century:The musée du cinéma Henri Langlois and Historians

作　　者：安托万·德巴克 蔡文晟 Antoine DE BAECQUE;CAI Wensheng(Ecole Normale Superieure,Paris F-75230;School of Journalism and Communication,Hubei University of Economics,Wuhan 430205)

机构地区：[1]巴黎高等师范学院,法国巴黎F-75230 [2]湖北经济学院新闻与传播学院,武汉430205

出　　处：《文化艺术研究》2024年第6期99-111,116,共14页Studies in Culture and Art

摘　　要：与法国电影资料馆堪称一体两面的亨利·朗格卢瓦电影博物馆,在1997年惨遭祝融之灾后,如何涅槃重生?在电影迈入其第二个世纪之际,究竟该怎么做,才能使其新馆与时俱进,并像旧馆一样,持续激发来访者的创造力?以“被博物馆化的圣殿”“电影的故事性”“电影的历史性”这三大逻辑为依归,新馆在延续旧馆格局之余,将不再止于一座电影的博物馆,而是一座历史的,且诉诸其视觉维度的博物馆。参观电影博物馆,其诗意之所以诞生,不外乎能透过观看去切身感受20世纪人类的生命经验。透过此一视域交叉之思,新馆或可让来访者体察到这个道理:因为电影,人人都能拥有自己的历史,且任何历史皆可能。How could the musée du cinema Henri Langlois,a twin star of the Cinémathèque fran?aise,rise from the ashes after the devastating fire of 1997? As cinema enters its second century,what needs to be done for the new museum to keep pace with the times and,like its predecessor,continue to inspire its visitors? Guided by the principles of "a museumized temple","cinema's narrativity",and "cinema's historicity",the new museum,while preserving the original layout,will no longer be merely a cinematographic museum but a historical one with a focus on the visual.The poetics of visiting a museum of cinema comes from viewing and experiencing the life of the 20~(th) century.Through this interdisciplinary perspective,the new museum may allow visitors to grasp this fact:thanks to cinema,all have a history,and all histories are possible.

关 键 词：亨利·朗格卢瓦 电影资料馆 电影博物馆 迷影 历史编纂学 历史的电影形式 

分 类 号：J909[艺术—电影电视艺术]