从“声音的现象”看《喧哗与骚动》对昆丁内心独白的解构  

Deconstructing Quentin's Interior Monologue in The Sound and the Fury through“the Phenomenon of Voice”

作　　者：周韵 Zhou Yun(College of Foreign Languages and Cultures,Sichuan University)

机构地区：[1]四川大学外国语学院

出　　处：《探索与批评》2024年第2期11-27,共17页Inquiry and Criticism

摘　　要：《声音与现象》中有一条以“声音-时间-在场性”为线索的解构路径,德里达试图通过声音中的符号问题和内意识时间中的延异运动,来动摇胡塞尔现象学中的在场观。将这条路径应用于对《喧哗与骚动》的分析,可以揭示小说中一条隐秘的解构思路。昆丁的“意识流式内心独白”是使叙事者听到自己说话的“自我感发”的在场,而在时间上却将意义的表达置于无限的重复和延异运动中,从而消解了声音的在场特权。昆丁的声音在感知与想象、在场与不在场之间徘徊,使本文达到了“幽灵”般不稳定的叙事效果。In Voice and Phenomenon,Derrida delineates a path of deconstruction that follows the thread of“voice-time-presence”.He attempts to destabilize Husserl's phenomenological notion of presence through the issues of signs in interior voice and the movement of differance in inner time-consciousness.Applying this path to the analysis of The Sound and the Fury reveals a deconstructiveapproach.Quentin's stream-of-consciousness monologue exemplifies“self-affection”,where the narrator hears himself speak,establishing a presence in his voice.However,in terms of temporality,it situates the expression of meaning within an infinite repetition and the movement of differance,thereby undermining the privileged presence of voice.Quentin's voice oscillates between perception and imagination,presence and non-presence,creating a spectral instability within the narration.

关 键 词：解构 内心独白 《声音与现象》 《喧哗与骚动》 幽灵 

分 类 号：I20[文学—中国文学]