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作 者:魏欣 薛菲莉 WEI Xin;XUE Feili(College of Art and Design,Wuhan Textile University,Wuhan 430073,China)
机构地区:[1]武汉纺织大学艺术与设计学院,湖北武汉430073
出 处:《服装学报》2024年第6期514-520,共7页Journal of Clothing Research
基 金:教育厅哲学社会科学研究重点项目(22D058)。
摘 要:清代武官补子中虎形纹饰在不同时期展现出不同的艺术形态与文化意蕴。基于图像研究和文献资料分析,溯源辨析虎纹补子的概念及应用范围,从虎纹造型表现、题材组合分析其纹饰特征,并结合清朝文化背景探究其文化意蕴。研究认为,随着清代历史脉络的演进,武官补子中的虎纹呈现出造型锐气渐消、题材形式固化的纹饰演变特征,表现出文化多元融合、审美传承发展的艺术特点,反映了皇帝对武官忠义勇猛的职责期盼,以及人们对国泰民安的祈愿。The tiger pattern on the military officials’ badges in the Qing Dynasty exhibited different artistic forms and cultural connotations across different periods. Based on image research and document analysis, this study traces and analyzes the concept and application scope of tiger pattern. The paper analyzes the decorative features of these badges from the perspectives of tiger pattern design and subject matter combination. It also explores the cultural connotations of tiger pattern badges in the context of the Qing Dynasty’s cultural background. The study concludes that, as the Qing Dynasty progressed, the tiger pattern on military officials’ badges evolved into a form of diminishing sharpness in design, and a solidification of subject matter forms. This reflects the artistic characteristics of cultural diversity and heritage, the emperor’s expectations of loyalty, bravery, and courage from military officials, and the people’s spiritual pursuit for national stability and prosperity.
分 类 号:J523.5[艺术—艺术设计] TS941.3[轻工技术与工程—服装设计与工程]
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