元明清时期纺织品中的经典兔纹及其文化意蕴  

Classic Rabbit Patterns and Its Cultural Connotation in Textiles DuringYuan, Ming and Qing Dynasties

作　　者：朱靖吟 赵帆 蔡欣[1,3] ZHU Jingyin;ZHAO Fan;CAI Xin(School of Fashion Design and Engineering,Zhejiang Sci-Tech University,Hangzhou 310018,China;China National Silk Museum,Hangzhou 310002,China;Keyi College,Zhejiang Sci-Tech University,Hangzhou 312369,China)

机构地区：[1]浙江理工大学服装学院,浙江杭州310018 [2]中国丝绸博物馆,浙江杭州310002 [3]浙江理工大学科技与艺术学院,浙江杭州312369

出　　处：《服装学报》2024年第6期540-548,共9页Journal of Clothing Research

基　　金：浙江省哲学社会科学规划课题项目(22NDJC082YB);浙江理工大学人文社科科研繁荣计划平台建设专项项目(21076179-N)。

摘　　要：元明清时期纺织品中兔纹的组合、形象及其文化内涵伴随着时间推移不断演化。运用图像分析法、文献研读法和对比研究法等,对保存较好纺织品文物中的兔纹图案进行汇总、整理和分类,探讨兔纹的艺术表现形式、文化寓意及其发展脉络。研究发现,兔纹在中国古代纺织品中的流行时间主要为元、明、清3个朝代;兔纹组合形式主要包括捣药兔与三足乌、独兔、多兔、兔和其他动物4种;兔的姿态主要有奔脱、捣药、顾望3种。此外,兔纹的局部特征及其组合方式与特定的文化符号紧密相连,随着不同时期思想文化的变迁,兔纹的文化内涵也经历了相应的演变。The combination, image, and cultural connotation of rabbit patterns on textiles during the Yuan, Ming and Qing dynasties have evolved over time. Using methods such as image analysis, literature review, and comparative research, this study summarized, organized, and classified rabbit patterns found on well-preserved textile artifacts, exploring their artistic expression, cultural significance, and development. The research has found that the popularity of rabbit patterns in ancient Chinese textiles was mainly concentrated in Yuan, Ming and Qing Dynasties. The combination forms mainly include four types: the pounding rabbit and three-legged black, a single rabbit, multiple rabbits, and rabbits with other animals. The postures of rabbits mainly includes three types: running, pounding medicine, and looking. In addition, the local features and combinations of rabbit patterns are closely related to specific cultural symbols, and have undergone corresponding evolution with the changes in ideology and culture over different periods.

关 键 词：元明清时期 纺织品 兔纹 造型 文化意蕴 

分 类 号：K876.9[历史地理—考古学及博物馆学] TS941.12[历史地理—历史学]