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作 者:吴秀明[1] Wu Xiuming(School of Literature,Zhejiang University,Hangzhou 310058)
机构地区:[1]浙江大学文学院,杭州310058
出 处:《浙江社会科学》2025年第1期142-154,160,共14页Zhejiang Social Sciences
摘 要:在金庸由热趋冷的背景下探讨其武侠小说经典建构,有必要超越一般创作特征或文学史分析的研究思路,将审视目光投向侠本体、历史化并下涉“后金庸”问题。所谓侠本体,是指武侠作为类型文学所具有的一贯性和统一性的创作范式,它须联系金庸基于雅俗认知对其小说版本所作的“正反双向”关系处理及所呈现的自我“矛盾”展开阐释。所谓历史化,是指历史意识及其作品中的历史元素,对于金庸而言,最可称道的是其对民族关系与历史政治化特质的有关描写。所谓“后金庸”,则是将其武侠放在从“港台主导”向“大陆主体”转换的历史延长线上,通过金庸与“后金庸”的互动关联及“连续性”关系,一方面展示其经典建构的当下意义,另一方面由此对武侠文类发展前景作出合乎逻辑的预判。In the context of Jin Yong’s shift from a peak of popularity to a more subdued presence,the exploration of the canonical construction of his martial arts novels requires moving beyond conventional analyses focused on literary characteristics or literary history.It is necessary to direct attention to the essence of the“Xia”(heroic spirit),historicization,and the“post-Jin Yong”issue.The essence of“Xia”refers to the consistent and unified creative paradigm inherent in martial arts as a genre of literature.This concept must be examined in light of Jin Yong’s“dual-direction”approach to his novels,which balances the“elite”and“popular”in a manner that reflects his own internal contradictions.Historicization refers to the historical consciousness and elements of history within his works,with Jin Yong’s portrayal of ethnic relations and the political aspects of history being particularly notable.The“post-Jin Yong”issue places his martial arts works in the broader historical trajectory,from the dominance of the Hong Kong-Taiwan region to the rise of the China' Mainland influence.By examining the interaction and continuity between Jin Yong and his successors,this paper both demonstrates the contemporary significance of Jin Yong’s canonical construction and logically predicts the future trajectory of the martial arts genre.
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