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作 者:罗雨秋 Yuqiu Luo(Yunnan Normal University,Kunming,Yunnan 650500)
机构地区:[1]云南师范大学,云南昆明650500
出 处:《语言文字教学与研究》2024年第5期54-56,共3页Language Teaching and Research
摘 要:作为悲剧的核心,情节在悲剧中具有举足轻重的作用。张爱玲和加尼觉玛玛礼分别为20世纪中缅两国优秀的文学家,其悲剧中塑造的情节具有许多相似之处。文章通过对比“突转”与“发现”两个维度,剖析两位作者构建宿命式悲剧情节手法的相似和独特之处,丰富不同文化对人性在宿命面前的挣扎、无奈以及社会对个体命运影响的认知,领略不同文化背景下悲剧情节所承载的文化内涵与价值取向。As the core of tragedy,plot plays a crucial role in tragedy.Zhang Ailing and Gya Ne Kyaw Ma Ma Lay were excellent literary figures in China and Myanmar in the 20th century,and the plots portrayed in their tragedies have many similarities.The article compares the dimensions of"sudden transformation"and"discovery"to analyze the similarities and uniqueness of the two authors'techniques for constructing a fate based tragic plot.It enriches the understanding of different cultures on the struggle and helplessness of human nature in the face of fate,as well as the influence of society on individual destiny,and explores the cultural connotations and value orientations carried by tragic plots in different cultural backgrounds.
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