西复和元代漢譯藏傅佛教文獻中的“截截”  

‘Tsha tsha'in the Chinese Translations of Tibetan Buddhist Literature during the Western Xia and Yuan Dynasties

作　　者：侯浩然 Hou Haoran

机构地区：[1]浙江大學歷史學院

出　　处：《中华文史论丛》2024年第4期171-187,407,408,共19页Journal of Chinese Literature and History

摘　　要：在藏傳佛教傳統中,擦擦(截截)並非單純滿足審美需 求的藝術品,而是承载着深厚的宗教意義的器物,被廣泛運用於各 類法事和儀式之中。然而,目前大部分研究都是將擦擦作爲考古 和藝術史研究的對象,侧重於探討其年代歸觸、類型劃分、製作工 藝、藝術風格和地域特徵等方面,卻往往忽略了其核心的宗教屬 性。鑑於此,本文另闢蹊徑,將研究視角聚焦於以往較少引起學者 關注的擦擦儀軌文本,力圖深入宗教語境中,對其進行解讀和分析。 通過這一研究路徑,本文旨在揭示擦擦在藏傳佛教儀軌中一些鲜爲 人知的宗教功能和作用,進而拓寬對擦擦文化的認知和理解。In Buddhist tradition,tsha tsha are not merely artworks that cater to aesthetic needs but rather implements imbued with profound religious significance,widely utilized in variousritualsand ceremonies.Up to now,the majority of research has tended to focus on tsha tsha as objects of archaeological and art historical inquiry,emphasizing their chronological attribution,typological classification,manufacturing techniques,artistic styles,and regional characteristics.However,to a certain extent,this approach has overlooked their religious attributes.In light of this,the present study selects tsha tsha ritual texts,which have received relatively litle attention in the past,as the subject of investigation.It endeavors to interpret these texts within a religious context,aiming to uncover the ritual practices,religious beliefs,and cultural meanings embodied within them.Through this approach,the study seeks to address the deficiencies in this research field and promote a more comprehensive knowledge of tsha tsha.

关 键 词：擦擦 藏傅佛教 密教儀軌 黑水城文獻 物質文化 

分 类 号：B94[哲学宗教—宗教学]