叙事的变迁:喜龙仁摄影对近代中国园林研究的形塑  

Changes of Narrative:Osvald Siren’s Photographic Modeling of Modern Research on Chinese Garden

作　　者：谷久文 史元丰 贾珊 GU Jiuwen;SHI Yuanfeng;JIA Shan(the School of New Media Art and Design,Beihang University;the School of Journalism and Communication,Renmin University of China;China News Service;the Academy of Arts&Design,Tsinghua University;ZHUANGSHI journal,Tsinghua University)

机构地区：[1]北京航空航天大学新媒体艺术与设计学院 [2]中国摄影家协会 [3]中国人民大学新闻学院 [4]中国新闻社 [5]清华大学美术学院在读 [6]清华大学《装饰》杂志社

出　　处：《风景园林》2025年第1期133-140,共8页Landscape Architecture

基　　金：2021年度清华大学文科建设“双高”计划“中国传统装饰的语言体系研究”(编号2021TSG08103);教育部人文社科青年基金项目“清代女性日常社会生活视野下的江南园林设计研究”(编号23YJC760149)。

摘　　要：[目的]摄影术作为中国园林记录的新方法,对园林研究影响至深,但对二者交互关系的研究较少,摄影作为一种新的理解和观看园林的方式,探究摄影驱动园林研究发生转向的影响机制具有重要意义。[方法]以喜龙仁的中国园林摄影图像为研究对象,从两条路径展开研究:1)以摄影技术、摄影图像为切入点,进行摄影图像影调阈值分析,以显现喜龙仁摄影的特殊性;2)基于喜龙仁的研究经历和研究文本展开比对研究,探究图像技术对园林记忆和园林理解的反向形塑。[结果]通过分析喜仁龙的中国园林摄影图像,发现喜龙仁在拍摄过程中通过运用大画幅相机、中焦距镜头,以及与区域曝光法(zone system)类似的技术理念,增加了图像影调的密度,对细节进行了深描,并对空间进行了压缩。[结论]喜龙仁巧妙地解决了摄影术受技术条件制约的问题,这也是其作品区别于早期常见园林摄影,成为价值卓越的艺术作品的原因。园林摄影图像具有强大的叙事能力,这种叙事能力反向影响了园林研究的视角——多重细节叠加而空间压缩的视角、空间主角与空间叙事转化的视角,并潜移默化地影响了园林研究的走向。这种影响与西方空间研究杂糅,形成了极为常见的园林研究范式。[Objective]Photography,as an innovative method of recording Chinese gardens in the late nineteenth and early twentieth centuries,has a significant impact on the research on gardens both then and in later generations.In spite of this,garden research and photographic research do not overlap much as they are two parallel disciplines.The purpose of this research is to draw comparisons between photographic representations of space and garden research texts.As an emerging image material and a way to understand and review gardens,photography has driven a shift in gardening research,with the underlying mechanisms being investigated in this research.In addition,the research also explores the interaction between photography’s technical characteristics and gardens’spatial characteristics.[Methods]This research adopts the case study of Osvald Sirén’s photographic images of Chinese gardens.The first research path takes photography techniques and photographic images as the starting point,and analyzes the tone threshold of photographic images to figure out the technical points of Osvald Sirén’s photography,with a focus on the quality of shadow,as well as the characteristics of the images of gardens that are reproduced under the scenarios in which these photography techniques are applied.Furthermore,this research examines how people’s perceptions of garden space have changed as a result of these characteristics.Another path is based on Osvald Sirén’s research experience,which aims to conduct a comparative study between photographic images and written documents regarding Osvald Sirén’s writings and research texts on Chinese gardens,so as to explore the reverse shaping of garden memories and garden understandings through image technology.This research is based on the intersection between the history of gardens and the history of photography,and provides an in-depth analysis of the interactions between garden space and photographic technique to explore their internal,non-obvious connections.[Results]The results sh

关 键 词：喜龙仁 园林摄影 近代园林研究范式 中国园林 园林叙事 摄影叙事 

分 类 号：TU986[建筑科学—城市规划与设计]