杜濬评点李渔小说戏曲的审美取向研究  

The Aesthetic Orientation of Du Jun′s Comments on Li Yu′s Novels and Operas

作　　者：吴兰娟 WU Lanjuan(School of Humanities,Anqing Normal University,Anqing 246000,China)

机构地区：[1]安庆师范大学人文学院,安徽安庆246000

出　　处：《宿州学院学报》2024年第11期55-60,共6页Journal of Suzhou University

基　　金：安徽省哲学社会科学规划项目(AHSKQ2023D168)。

摘　　要：评点是中国古代小说戏曲的主要批评方式之一。明末清初,文学评点在通俗文学领域大放异彩,评点者们给中国古代小说戏曲留下了浩如烟海的评点文字和思想。杜濬是李渔小说戏曲作品最重要的评点者,他的评点紧密依附于李渔小说戏曲作品的内容,既揭示了李渔的创作思想和技巧,也展示出他本人对小说戏曲这两种文学作品的审美取向:作品语言上追求雅俗共赏、情节内容上追求奇趣相生、思想内核上追求至情至性。同时,针对小说戏曲这两种文体,杜濬在评点中展示出的审美取向也有着细微的差别。Comment is one of the main ways of criticism in ancient Chinese novels and operas.During the late Ming and early Qing Dynasties,literary comment flourished in the field of popular literature,and critics left a vast amount of critical texts and ideas for ancient Chinese novels and operas.Du Jun was the most important critic of Li Yu′s novels and operas.His comment closely adhered to the content of Li Yu′s novels and operas,revealing both Li Yu′s creative ideas and techniques,as well as his own aesthetic preferences for these two literary genres:pursuing a blend of elegance and popularity in language,seeking a combination of novelty and interest in plot content,and pursuing true feelings and nature in ideological core.At the same time,Du Jun′s aesthetic preferences in his comment of novels and operas also showed subtle differences between these two genres.

关 键 词：杜濬 李渔 评点 审美取向 

分 类 号：I207[文学—中国文学]