工艺性在当代艺术中的展延  

The Craftsmanship in Contemporary Art

作　　者：汪一 

机构地区：[1]不详

出　　处：《上海工艺美术》2024年第4期66-68,共3页Shanghai Arts & Crafts

摘　　要：自20世纪的艺术去技术化和非物质化以来,评论家、学术作家和艺术家一直在深入进行工艺何以称之为艺术的争论。然而,随着知识的扩展、互联网的广泛分享以及技术手段的不断发展形成的反主流文化,当代艺术与工艺形成了更为复杂的关系。这引发了一波艺术家在当代艺术中越发依赖工艺去实现自己的艺术概念,甚至工艺本身成为艺术家所表达的观念,此时的艺术家与工匠是怎样的关系?这个主题值得被重新讨论。Since the de-materialization and de-skilling of art in the20~(th) century,critics,academic writers,and artists have engaged in a deep debate about what qualifies craftsmanship as art.However,with the expansion of knowledge,widespread sharing on the internet,and the continuous development of techniques that have formed a countercultural movement,the relationship between contemporary art and craft has become more complex.This has sparked a wave of artists increasingly relying on craftsmanship to process their artistic concepts in contemporary art,where craftsmanship itself becomes a meaning of expression for artists.What is the relationship between artists and craftmen in this context?This topic deserves reconsideration.

关 键 词：当代艺术 反主流文化 去技术化 非物质化 艺术与工艺 艺术概念 艺术家 工艺性 

分 类 号：J20[艺术—美术]