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作 者:童嶺 Tong Ling
机构地区:[1]南京大學文學院
出 处:《唐研究》2024年第1期99-121,共23页Journal of Tang Studies
摘 要:一、制度史與文學史之間的唐代敕書唐代的中前期,延續東晋南北朝的文學創作機制,有大量的文學作品(或與文學相關的作品)産生於帝制官僚體系下的機構群,抑或是産生於類似宫廷宴集之類的活動之中,這是不争的事實。另一方面,寫作技能作爲唐代宫廷政治生活的一部分,其重要性越來越凸顯。皇帝對“文”的重視與企求,在文官系統中形成了“大臣以無文爲耻”[1]的共同意識。There was a fixed writing pattern between the Tang dynasty and the surrounding nationalities and countries.According to the Compendium of administrative law of the six divisions of the Tang bureaucracy唐六典,“there are seven kinds of king's words.”One of them was the imperial edicts on affairs.On the other hand,“literature”became more and more important in the Kaiyuan開元era,and imperial edict drafters who embellished the king's words were upholding the“literature”of the tradition,and striving to restore the glory of the“literature”.Zhang Jiuling張九齡,a famous Confucian scholar and scribe in the flourishing days of the Kaiyuan era,could be regarded as the model of a generation of scribes.Most of the present-day studies of Tang literature focus on his poems,and few on his other writings(especially his under-ordered writings).This paper presents a close reading of texts including Xuanzong's玄宗Imperial Edict to the King of Silla敕新羅王書and Imperial Edict to the King of Japan敕日本國王書,in the Qujiang Collection曲江集.The research not only to point out that Zhang Jiuling was the“great masterpiece”of a generation of writings in Kaiyuan Flourishing Age,but also through the format of the documents to see the relationship between the central civil service system and the writing of the articles,and at the same time to examine the Tang dynasty and the East Asian world of international diplomatic instruments style.
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