论唐代长沙窑陶瓷莲花纹装饰与审美  

Lotus Pattern Decoration and Aesthetics of Tang Dynasty Changsha Kiln Ceramics

作　　者：孙兰[1] 郑先觉[1] Sun Lan;Zheng Xianjue(Hunan University of Science and Technology,Xiangtan,411201)

机构地区：[1]湖南科技大学,湘潭411201

出　　处：《陶瓷研究》2024年第5期36-38,共3页Ceramic Studies

基　　金：2023年度湖南省教育厅科学研究重点项目(编号:23A0351)——《长沙窑陶瓷器物装饰体系研究》。

摘　　要：莲花在佛教中被视为佛的象征。莲花纹又称荷花纹、莲瓣纹,是中国传统装饰纹样中最具为代表性的植物纹之一。唐代长沙窑首创了釉下彩瓷技法,在崇尚“以形写神”的艺术主流中,以其粗笔写意、逸气横生的发展面貌独树一帜。本文以唐代长沙窑陶瓷器上的莲花纹为研究对象,阐述纹饰的来源和喻义,揭示长沙窑莲花纹的审美价值和带给人们的精神享受。Lotus is regarded as a symbol of Buddha in Buddhism.Lotus pattern,also known as lotus pattern or lotus petal pattern,is one of the most representative plant patterns in traditional Chinese decorative patterns.During the Tang Dynasty,Changsha Kiln pioneered the technique of underglaze colored porcelain,which stood out in the mainstream art of"depicting the spirit with form"due to its bold brushstrokes and elegant development.This article takes the lotus pattern on the Tang Dynasty Changsha Kiln ceramics as the research object,elaborates on the origin and metaphorical meaning of the pattern,reveals the aesthetic value of Changsha Kiln lotus pattern and the spiritual enjoyment it brings to people.

关 键 词：唐代 长沙窑 莲花纹饰 

分 类 号：J527[艺术—艺术设计]