白居易诗歌“灯烛”意象的文化意蕴  

The Cultural Implications of the "Lantern and Candle" Metaphor in Bai Juyi's Poetry

作　　者：肖国钰 XIAO Guoyu(School of Literature,South China Normal University,Guangzhou Guangdong 510006,China)

机构地区：[1]华南师范大学文学院,广东广州510006

出　　处：《萍乡学院学报》2024年第5期75-80,共6页Journal of Pingxiang University

摘　　要：灯烛意象大量出现在白居易的讽喻、闲适、感伤、杂律等各类诗中,同时也贯穿了他创作生涯的始终。从时空构成来看,白居易诗歌中的灯烛意象可分为:雨雪寒灯、驿店旅灯、佳节孤灯、读书残灯,这些意象传达了诗人孤独、惜时、欢乐的情感。采用诗史互证的方法,结合白居易的生平际遇,发现白居易诗歌中灯烛意象的使用有一个逐渐内转的过程。白居易诗歌之所以出现大量的灯烛意象,原因有三:一是取材通俗化的需要;二是诗歌基数庞大;三是身世性格使然。The imagery of lamps and candles appears abundantly in various types of Bai Juyi's poems,such as satirical,leisurely,sentimental,and miscellaneous regulated verses.It also persists throughout his entire creative career.In terms of spatio-temporal composition,the imagery of lamps and candles in Bai Juyi's poems can be classified as:lamps in rain and snow,lamps in post inns during travels,solitary lamps on festive occasions,and remnant lamps for reading.These imagery convey the poet's emotions of loneliness,time cherishing,and joy.By adopting the method of mutual verification of poetry and history and in combination with Bai Juyi's life experiences,it is discovered that there is a gradual internalization process in the utilization of the imagery of lamps and candles in Bai Juyi's poems.There are three reasons for the prevalence of the imagery of lamps and candles in Bai Juyi's poetry:Firstly,it is due to the requirement of popularization of source materials;secondly,the vast base number of his poems;thirdly,it is attributed to his life experiences and personality.

关 键 词：白居易 灯烛 意象 内转 

分 类 号：I207.22[文学—中国文学]