《日玛强久宗道歌》所蕴含的“无念”思想探析  

On the perspective of detachment displayed in the“Rakmei Changchubdzong's spiritual song”of Milarepa

作　　者：边巴顿珠 Pepa Dondrup(School of Humanity,Tibet University,Lhasa,850000)

机构地区：[1]不详

出　　处：《西藏大学学报(藏文版)》2024年第4期133-151,共19页Journal of Tibet university

摘　　要：Referencing to the"Spiritual song of Milarepa"compiled by Tsangnyon Heruka,this article discusses the artistical characteristics of the"Spiritual song of Rakmei Changchubdzong"(rag mavi byang chub rdzong in Tibetan),specifically,the natural environment and the sentient beings in the Rakmei Changchubdzong are vividly described applying the metaphorical styles of analogy,anthropomorphic,hyperbole with the authentic languages in the past.The main message found in the spiritual song is the detachment the unique perspective of Kagyupa School,the point of view of madhyamaka in the early translation of the mantra in Buddhist philosophy.Referencing to the"Spiritual song of Milarepa"compiled by Tsangnyon Heruka,this article discusses the artistical characteristics of the"Spiritual song of Rakmei Changchubdzong"(rag mavi byang chub rdzong in Tibetan),specifically,the natural environment and the sentient beings in the Rakmei Changchubdzong are vividly described applying the metaphorical styles of analogy,anthropomorphic,hyperbole with the authentic languages in the past.The main message found in the spiritual song is the detachment the unique perspective of Kagyupa School,the point of view of madhyamaka in the early translation of the mantra in Buddhist philosophy.

关 键 词：Artistic perception spiritual songs of praising environment DETACHMENT BUDDHIST 

分 类 号：I207.9[文学—中国文学]