苏轼对贾平凹散文创作的影响——以“石”的审美书写为中心  

Influence of Su Shi on Jia Pingwa's Prose Writing——Centering on the Aesthetic Writing of the"Stone"

作　　者：李圣莲 王渭清 LI Shenglian;WANG Weiqing(School of Literature and Journalism and Communication,Baoji University of Arts and Sciences,Baoji Shaanxi 721013)

机构地区：[1]宝鸡文理学院文学与新闻传播学院,陕西宝鸡721013

出　　处：《牡丹江大学学报》2025年第2期25-33,共9页Journal of Mudanjiang University

摘　　要：苏轼作为中国古代文学和传统士人文化的优秀代表,无疑也是中华优秀传统文化的杰出代表之一。苏轼一生嗜石、赏石、写石,深得石中“三昧”,对当代作家贾平凹产生了深刻的影响。具体在散文创作上,贾平凹正是通过苏轼的接引,将人心和宇宙、哲理和情思、古代与现代彼此连接起来,在观石中汲取佛禅智慧,善作翻空出奇的哲理启悟,在品石中崇拜自然,创造人石交融、自由自在的心灵物语,在写石中呈现萧散冲淡的审美趣味,最终形成了行云流水的书写风格。Su Shi,as an outstanding representative of ancient Chinese literature and traditional scholar culture,is undoubtedly one of the outstanding representatives of Chinese traditional culture.Su Shi's lifelong love of stone,appreciation of stone and writing of stone,and his deep understanding of stone,have had a profound impact on the contemporary writer Jia Pingwa.Specifically in the creation of prose,Jia Pingwa,through the guidance of Su Shi,connects the human heart and the universe,philosophy and sentiment,ancient and modern,draws wisdom from Buddha's Zen in the observation of stone,he is good at philosophical enlightenment of turning over the sky,worships nature in the tasting of stone,creates a spiritual language of human and stone mingling,and writes about the stone,presenting the aesthetic interest of Xiao Shan and lightness,and finally forms a writing style of flowing water and clouds.

关 键 词：贾平凹 散文创作 苏轼 石意象 审美书写 

分 类 号：I207.6[文学—中国文学]