基于蒙古族马具皮革工艺的文创产品设计研究  

Research on Cultural and Creative Product Design Inspired by Mongolian Horse Gear Leather Craft

作　　者：刘威婷 朱佳琪 赵菊花 LIU Weiting;ZHU Jiaqi;ZHAO Juhua(Minzu University of China,100081 Bejing;XUANGUFENG Ethnic Craft Designand Production Studio,010000 Hohhot Inner Mongolia)

机构地区：[1]中央民族大学,北京100081 [2]旋古风民族工艺设计制作工作室,内蒙古呼和浩特010000

出　　处：《设计艺术研究》2024年第6期93-97,106,共6页Design Research

摘　　要：皮革工艺作为蒙古族马具中应用最为广泛的传统手工艺类别,选材丰富、表现形式多样、风格独特,兼具实用性与审美价值。以田野调查所搜集到的资料为研究基础,结合文献记载追溯蒙古族马具皮革工艺的历史渊源,解构蒙古族马具中的皮革构件,对其材料与工艺进行详细分析,进而揭示其艺术特征。并遵循文化性与创新性、功能性与审美性、传播性与时代性的设计原则,通过对蒙古族马具文化的深入解读与符号选取、跨越时空的巧妙嫁接与创意转化、系列化产品的设计开发与延展等方法进行文创产品设计实践,希望为蒙古族马具皮革工艺的传承与创新提供参考,促进蒙古族马具文化传播。Leather craftsmanship,as the most widely used traditional handicraft category in Mongolian horse gear,is characterized by a wide range of material choices,diverse forms,unique styles,and a balance of practicality and aesthetic value.Based on the data collected from field investigations,combined with literature records to trace the historical origins of Mongolian horse leather craftsmanship,this study deconstructs the leather components in Mongolian horse gear,analyzes their materials and craftsmanship in detail,and reveals their artistic characteristics.Adhering to the design principles of cultural and innovative,functional and aesthetic,communicative and contemporary,this study undertakes the design of cultural and creative products.Methods include in-depth interpretation and symbol selection of Mongolian horse harness culture,clever grafting and creative transformation across time and space,design and development of series products.The aim is to provide reference for the inheritance and innovation of Mongolian horse harness leather craftsmanship,while promoting better dissemination of Mongolian horse harness culture.

关 键 词：蒙古族马具 皮革工艺 文创产品 设计原则 设计方法 

分 类 号：J5[艺术—艺术设计]