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作 者:罗理章 黄子立 LUO Lizhang;HUANG Zili(School of Marxism,Jiaxing University,Jiaxing Zhejiang 314000,China;School of Marxism,Hainan University,Haikou Hainan 570228,China)
机构地区:[1]嘉兴大学马克思主义学院,浙江嘉兴314000 [2]海南大学马克思主义学院,海南海口570228
出 处:《杭州电子科技大学学报(社会科学版)》2024年第6期49-57,68,共10页Journal of Hangzhou Dianzi University:Social Sciences
基 金:国家社会科学基金项目(23BKS124)。
摘 要:在全球化和数字化交织的时代背景下,当代西方左翼学者的批判视角转向数字网络空间,深入剖析数字文化霸权现象,揭示了其形成的根源动因,对其所带来的社会危害进行了透彻的阐释,并积极寻求应对之策。然而,这些批判理论存在视角局限性、批判不彻底性和解决方案空想性等困局,西方资本主义社会的叙事语境限制是其困局根源。为突破这一理论困局,学界需要在理论体系、价值导向和实践进路等层面进行重构,推动数字文化霸权批判理论的发展与革新。In the context of globalization and digitalization,contemporary Western left-wing scholars have shifted their critical focus to the digital network space,offering an in-depth analysis of the phenomenon of digital cultural hegemony.They reveal the underlying causes of its formation,provide a thorough explanation of the social harm it causes,and actively seek countermeasures.However,these critical theories are constrained by limited perspectives,incomplete critiques,and unrealistic solutions.The root of these dilemmas lies in the narrative context of Western capitalist societies.To break through this theoretical impasse,it is essential for academia to reconstruct the theoretical framework,value orientation,and practical approaches,thereby promoting the development and innovation of digital cultural hegemony critique theory.
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