剪不断的中国结——谭恩美《灶神之妻》中儒家文化的孝表征  

Unbreakable Chinese Bond—Representations on the Traditional Confucian Culture in The Kitchen God's Wife

作　　者：贾东旭 

机构地区：[1]山东财经大学外国语学院

出　　处：《外国语言文学评论》2024年第1期181-187,共7页

摘　　要：华裔女作家谭恩美凭借其处女作《喜福会》董声华美文坛,其随后的又一力作《灶神之妻》更是巩固了她在亚裔美国文学界的地位。在东西方文化不断夹击之下,她并没有数典忘祖,而是在作品中或隐或显地褒扬儒家文化,表达了对中国文化割舍不断的情。本文以其小说《灶神之妻》为切入点,借由文本细读的策略去剖析儒家孝文化在谭恩美小说中的呈现,揭示传统儒家孝文化在作者心中所占据的地位。Amy Tan,as an up-rising star,is well-noted for her debut,The Joy Luck Club,in the realm of Chinese-American literary circle,and her following work,The Kitchen God's Wife,helps her gain more fame.Amy Tan,who is living between the worlds,is never cutting hers ties with her descent;instead,she praises Confucian culture in her works either implicitly or explicit-ly.This paper takes The Kitchen God's Wife as the point of departure by means of close reading to reveal the position of Confucian culture in the author's mind.

关 键 词：谭恩美 《灶神之妻》 儒家 孝文化 

分 类 号：I20[文学—中国文学]