J.G.巴拉德《摩天楼》中日常景观的陌生感  

The Estrangement of Daily Landscape in J.G.Ballard's High-Rise

作　　者：黄飞宇 HUANG Feiyu(College of Foreign Languages and Cultures,Sichuan University,Chengdu Sichuan,610207,China)

机构地区：[1]四川大学外国语学院,四川成都610207

出　　处：《文化创新比较研究》2024年第36期10-15,共6页Comparative Study of Cultural Innovation

基　　金：四川省哲学社会科学规划项目“四川城市形象与跨文化宣传研究——以成都市‘科幻之都’国际传播为例”(项目编号:SC23BS027)最终成果。

摘　　要：作为科幻新浪潮运动的先锋,J.G.巴拉德将科幻小说的风景从浩瀚太空转为日常的人造技术布景,深刻探讨了技术造物对人内在心灵的影响。《摩天楼》是巴拉德都市灾难三部曲中的最后一部力作,小说中的“摩天楼”作为被间离的虚构物,在真实的推演与超现实的幻化中穿梭,产生了认知失调的陌生化效果,形成了滑流小说的独特感受。“摩天楼”这一日常事物在巴拉德笔下再度获得陌生感,它一边科学推演着城市现代性对住户的影响,一边动用大量超现实主义元素,将住户在压抑下的内在心灵外化为大楼自身。通过将摩天楼书写为内外景观的交汇面,巴拉德提供了一个陌生视角来重访日常的人造环境。As the begetter of New Wave movement of science fiction,J.G.Ballard transforms the landscape of this genre from vast outer space to everyday artificial technology environment,and delves deeper into the impact of technological creations on the inner human psyche.High-Rise is the last tour de force of Ballard's urban disaster trilogy,where the"high-rise"serves as an estranged fictive novum,traversing between realistic extrapolation and surreal fantasy,creating a sense of cognitive dissonance that constitutes to the sensibility of slipstream genre.In Ballard's portrayal,this everyday"high-rise"regains a sense of strangeness:it scientifically extrapolates the influence of urban modernity on its inhabitants,while incorporating numerous surrealistic elements which externalize the inhabitants'inner space of repression into the building itself.By depicting the high-rise as a convergence of outer and inner landscape,Ballard offers a estranged perspective to revisit the everyday artificial environment.

关 键 词：《摩天楼》 J.G.巴拉德 滑流小说 陌生化 新浪潮 城市 

分 类 号：I712.06[文学—其他各国文学]