镜-境相生:非物质文化遗产短视频的镜像生产  

Mirror-Image Relationship:The Mirror Production of Intangible Cultural Heritage Short Videos

作　　者：宋妍[1] SONG Yan

机构地区：[1]辽宁大学文学院,沈阳110036

出　　处：《西北民族研究》2024年第6期64-76,共13页Journal of Northwestern Ethnic Studies

基　　金：国家社会科学基金项目“非物质文化遗产保护伦理原则研究”(编号:21BZW043)的阶段性成果。

摘　　要：在深度媒介化的背景下,社会交往进入以视频叙事为主要手段的时代。社交媒体是文化再生产过程中最有效的实践中介,非物质文化遗产短视频的镜像生产丰富了人们对非遗的传统认知,也重构了非遗传承人及非遗传承人群的社会化再生产路径。从社会进程的中观层面来看:第一,社交媒体短视频平台已然成为非遗内容生产最主要的“地方”;第二,在深度媒介化背景下,非遗短视频的生产实践深刻改变了非遗传承的方式与过程;第三,非遗传承的镜像生产是关系到多元价值体系、多元主体和复杂交往实践的社会再生产“构型”。In the context of deep mediatization,social interaction has entered an era where video narratives are the main means of communication.Social media is the most effective practical intermediary in the process of cultural reproduction,and the mirror production of intangible cultural heritage short videos enriches people's traditional understanding of intangible cultural heritage and reconstructs the social reproduction path of intangible cultural heritage inheritors and communities.From the meso-level perspective of social progress:first,social media short video platforms have become the main"place"for intangible cultural heritage content production;second,in the context of deep mediatization,the production practice of short videos has fundamentally changed the way intangible cultural heritage is inherited;third,the mirror production of intangible cultural heritage is a social reproductionn"configuration"that involves multiple value systems,multiple subjects,and complex interpersonal practices.

关 键 词：媒介化 社交媒体 构型 具身 交往实践 

分 类 号：C953[社会学—民族学]