明器谷仓罐堆塑形象的文化风俗观  

The Cultural Customs of the Image of the Barn and the Jar of the Ming Ware

作　　者：陈昱廷 Chen Yuting(Jiujiang Museum)

机构地区：[1]九江市博物馆

出　　处：《景德镇陶瓷》2024年第5期111-113,共3页Jingdezhen Ceramics

摘　　要：在“事死如事生”的传统观念影响下,有一些专门用于陪葬用的器物,如:俑、冥钱、堆塑瓶等,被称之为“明器”。堆塑瓶又可称之为谷仓罐、魂瓶,是三国至两晋时期南方流行的一种随葬品,它的前身是东汉时期的五联罐。东汉时期,在社会上形成了一批既有经济和宗教实力,又有文化背景的士族门阀集团。豪强大族广占土地,建立田庄,过着自给自足的庄园生活。中国瓷器成熟于东汉时期,三国两晋时期得到发展,南方多地盛产青瓷,五联罐和谷仓罐是青瓷中的代表性器物。Under the influence of the traditional concept of"death is like life",there are some utensils specially used for burial,such as figurines,money for dead,composting bottles,etc.,which are called"Ming vessels".The composting bottle can also be called the barn jar,the soul bottle,is a kind of burial goods popular in the south from the Three Kingdoms to the Jin Dynasties,and its predecessor is the five-joint jar in the Eastern Han Dynasty.During the Eastern Han Dynasty,a group of scholars with both economic and religious strength and cultural background were formed in the society.The powerful clans occupied land,built granges,and lived a self-sufficient manor life.Chinese porcelain matured in the Eastern Han Dynasty and developed in the Three Kingdoms and Jin Dynasties.

关 键 词：谷仓罐 演变 象征意义 

分 类 号：K87[历史地理—考古学及博物馆学]