“游离”的叙事:民间故事的媒介转向与叙事特征  

Narrative of“Liminality”:The Shift of Folklore Storytelling and Narrative Characteristics

作　　者：杜智涛 张新俏 Du Zhitao;Zhang Xinqiao

机构地区：[1]中国社会科学院大学新闻传播学院 [2]中国社会科学院大学媒介与发展研究中心

出　　处：《中国新闻传播研究》2024年第4期157-169,共13页China Journalism and Communication Journal

基　　金：中国社会科学院大学新文科学术研究项目“中国民间故事知识库建设与知识挖掘研究”(项目编号:2011903820238);国家社科基金国家应急管理体系建设研究专项“重大突发事件中知识传播对社会共识的作用机制研究”(项目编号:20VYJ014)研究成果

摘　　要：在民间故事的研究中仍存在“媒介盲视”问题,以往的研究大多从故事类型、内容情节、叙事结构等展开,呈现为内部的语言学、形态学的进路。媒介的尺度和形态对民间故事的塑形有着怎样的偏向?通过梳理其历史文本,描述其叙事衍变与传播实践,发现民间故事在叙事体裁上处在中间地带,大致经历了从信仰叙事到经验知识、故事编撰与文化展演、想象的可供性与数字实践的历史形态演变,以水鬼渔夫型为代表的民间故事是时代流变下民间叙事的“活态文本”,呈现着以故事为驱动的“活的、开放的”结构,表现“游离”、动态的叙事特征。叙事变迁视角下,基于媒介间性展开跨媒介叙事或将成为本土文化传播的有益探索。In the study of folktales,there still exists a problem of“media blindness.”Previous research has mostly focused on aspects such as story types,content,plot,and narrative structure,presenting an internal linguistic and morphological approach.How do the scale and form of media bias shape folktales?By examining their historical texts,describing their narrative evolution and dissemination practices,it is found that folktales are in an intermediate zone in terms of narrative genres.They have roughly experienced historical morphological changes from belief narratives to experiential knowledge,story compilation and cultural performance,to the availability of imagination and digital practices.Folktales represented by the water ghost fisherman type are“living texts”of folk narrative under the changing times,showing a“living and open”structure driven by stories,and exhibiting narrative characteristics that are“free-floating”and dynamic.From the perspective of narrative change,exploring cross-media storytelling based on intermediality may become a beneficial exploration for the dissemination of local culture.

关 键 词：跨媒介叙事 民间故事 媒介间性 民间叙事 

分 类 号：G206[文化科学—传播学] I207.7[文学—中国文学]