麦积山石窟第127窟北朝经变画乐队考  

A Study on the Musical Troupe in the Northern Dynasties Sutra Illustration in Cave 127 at the Maijishan Grottoes

作　　者：曾杰 ZENG Jie(School of Music and Dance,Tianshui Normal University,Tianshui 741001,Gansu)

机构地区：[1]天水师范学院音乐舞蹈学院,甘肃天水741001

出　　处：《敦煌研究》2024年第6期34-40,共7页Dunhuang Research

基　　金：教育部人文社会科学研究一般项目“麦积山石窟北朝时期乐舞图像研究”(21YJA760003)。

摘　　要：麦积山石窟第127窟西壁上部的西方净土变画面正中有一组10身乐伎、2身舞伎组成的礼佛乐舞图,这里的乐队是目前已知最早的经变画乐队。乐队中的乐器除建鼓外都有着较强的写实性,乐器的组合也体现出浓郁的世俗化倾向,为了解我国北朝时期关陇地区的歌舞伎艺术提供了可贵信息。结合画面内容与这一时期的乐史资料判断,第127窟经变画的乐舞场面与这一时期宫廷盛行的西凉乐有着密切关系。In the upper center of the Western Pure Land illustration on the west wall in cave 127 at the Maijishan Grottoes,there is a troupe of Buddhist music and dance performers composed of ten musicians and two dancers.The musical troupe depicted here is the earliest example of musical performers in a sutra illustration in China.With the exception of a jiangu建鼓,a four-legged drum,all the other musical instruments being played by the musicians are very realistic for the time.In addition,the combination of musical instruments is noticeably secular,which provides valuable information for understanding the music and dance culture in the Guanlong area of China(Guanzhong and Longyou)during the Northern Dynasties period.Judging from the information available in extant visual and written material relating to the music of this period,the music and dance scenes in the sutra illustration in cave 127 are likely related to the Western Liang music that was popular in the imperial court at that time.

关 键 词：麦积山 第127窟 经变画乐队 西凉乐 乐伎 

分 类 号：K879.24[历史地理—考古学及博物馆学]