敦煌图案创新应用探微——以1952年亚太和平会议国礼和平鸽丝巾设计为例  

Exploring the Innovative Application of Artistic Patterns from Dunhuang-A Study on the Silk Scarf with a Peace Dove Pattern Given as a Gift during the Asia and Pacific Rim Peace Conference in 1952

作　　者：崔岩[1] CUI Yan(Dunhuang Costume Culture Research and Creative Design Centre,Beijing Institute of Fashion Technology,Beijing 100029)

机构地区：[1]北京服装学院敦煌服饰文化研究暨创新设计中心,北京100029

出　　处：《敦煌研究》2024年第6期60-67,共8页Dunhuang Research

基　　金：北京市社会科学基金青年项目“敦煌隋代服饰图案研究”(21YTC038)。

摘　　要：以1952年亚洲及太平洋区域和平会议(下文简称亚太和平会议)专用礼品设计为例,追溯当年清华大学营建系师法传统、活化创新的实践探索。当时林徽因先生带领常沙娜等年轻设计师,以敦煌莫高窟第314窟隋代藻井图案为灵感来源,结合时代精神和功能特征,圆满完成了契合会议主题的和平鸽专属礼品丝巾设计。70年过去了,国礼和平鸽丝巾传递出的功能与审美、传统与时尚融为一体的设计理念以及富有民族文化内涵和装饰韵味的设计方法,在大力弘扬中国传统文化的当下,仍然具有示范性启示作用。This paper studies the practices and contemporary application of crafts that involve traditions of“learning from the master”by conducting a case study of the silk scarf embroidered with the pattern of a peace dove which was given as a special gift at the Asia and Pacific Rim Peace Conference in 1952,and which was created under the guidance of the Construction Department of Tsinghua University.At the time of the conference,Mr.Lin Huiyin led young designers including Chang Sha’na to successfully complete the design in such a way as to fit the theme of the conference and utilize an ancient caisson pattern from Sui dynasty cave 314 at the Dunhuang Mogao Grottoes.Although seventy years have passed since then,the design concept of integrating function and aesthetics,tradition and fashion,as well as the notion of utilizing design methods that are rich with cultural connotations during the preparation of national gifts,all still play a practical role in the promotion of traditional Chinese culture.

关 键 词：敦煌图案 隋代藻井 创新设计 国礼丝巾 和平鸽 

分 类 号：K879.21[历史地理—考古学及博物馆学]