晏几道《小山词》的香文化书写研究  

A Study on the Incense Culture Depicted in Yan Jidao’s Xiaoshan Ci

作　　者：郑静静 ZHENG Jing-jing(School of Liberal Arts,Anhui University,Hefei,Anhui 230039,China)

机构地区：[1]安徽大学文学院,安徽合肥230039

出　　处：《河北北方学院学报(社会科学版)》2024年第5期1-4,9,共5页Journal of Hebei North University:Social Science Edition

摘　　要：中国传统香文化在宋代发展至鼎盛。各类香料大量输入,制香、赠香和品香等活动成为文士生活的重要组成部分。《小山词》中涉及熏香活动的词内涵丰富,通过描写熏焚用香与女子涂敷用香,或尽日焚香传达百无聊赖意绪;或通过浓熏绣衾传达美好期待。多次出现的残留的旧香与前香打破时空的局限,触发词人因残香冲击心灵的今昔之慨与身世之叹。The traditional Chinese incense culture flourished during the Song Dynasty.Various spices were imported in large quantities,and activities such as making incense,giving incense,and appreciating incense became an integral part of scholars’lives.The poems in Yan Jidao’s Xiaoshan Ci that involve incense burning are rich in content.They convey boredom by depicting the burning of incense and the application of perfume by women,or by burning incense throughout the day.Alternatively,they convey beautiful expectations through heavily perfumed embroidered quilts.The recurring images of residual old incense and previous fragrances break through the limitations of time and space,triggering the poet’s reflections on the past and present and lamentations about his life’s circumstances,as the lingering scent strikes his heart.

关 键 词：晏几道 《小山词》 香文化 

分 类 号：I207.23[文学—中国文学]