两宋之交的“北狩”叙事——以笔记小说《南烬纪闻》为例  

Narrative of"Beishou"Between the Northern and Southern Song-Taking the Sketche Novel Nanjinjiwen as an Example

作　　者：宋雨婷 Song Yuting

机构地区：[1]上海对外经贸大学会展与传播学院

出　　处：《励耘学刊》2024年第2期36-51,309,共17页

基　　金：国家社会科学基金重大项目“中国古代文章学著述汇编、整理与研究”,项目编号:15ZDB066;教育部人文社会科学青年项目“寒山诗在日本的传播与接受研究”,项目编号:23YJC751025。

摘　　要：北宋灭亡后,徽、钦二帝被女真人掳掠至金国,史称“北狩”。靖康之难使华夷秩序再调整,文学叙事中呈现出王权认同危机。笔记小说《南烬纪闻》中的“二帝北狩”叙事,呈现出对帝王形象塑造的两种截然不同的面向:一方面,通过亡国隐喻的建构,展现世人对旧朝覆败的反思;另一方面,以异域神明及萨满祭祀塑造、神化宋帝,寓言国家命运,重构华夷体系。这两条线索在同一文本中交锋与重叠,隐含着王朝覆灭后士人的批判与哀悼,为宋遗民提供了缅怀的空间。此书在后世的文本流通使汉人集体记忆与身份认同不断强化,北狩叙事也因此在帝国的浮沉中不断与世人对话。After the downfall of the Northern Song Dynasty,Emperor Huizong and Qinzong of Song Dynasty were abducted by the Jurchen and brought to the state of Jin.This event is known as the"Beishou"in history.The Jingkang incident led to a readjustment of the order of Huayi,and a crisis of identification with royal power was presented in literary narratives.By examining the narrative in Nanjinjiwen,the novel sorts out two different aspects of the historical image of the emperor.On one hand,the construction of the metaphors in the text showing the introspection of people about national trauma.On the other hand,the narrative deifies Song emperors with the writing of Shamanism sacrificial ceremony,prophesying the fate of Southern Song and reconstructing the Huayi system.These two clues confront and overlap in the same text,implying Song scholars'criticism and mourning about the national trauma,and providing a nostalgic space for the Song Dynasty's descendants.The circulation of this book has strengthened collective memory and Han identity.As a result,the reading public constantly received the narrative of"Beishou"amidst the changing dynasties.

关 键 词：《南烬纪闻》 北狩 国难叙事 集体记忆 

分 类 号：I20[文学—中国文学]