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作 者:刘佳琪 Liu Jiaqi
机构地区:[1]南京大学文学院
出 处:《励耘学刊》2024年第2期113-128,311,共17页
摘 要:在宋代讨论《文选》去取的选本学语境中,“《兰亭序》不入《文选》”成为宋人笔记小说中广受关注的文学话题,书法名文《兰亭序》由此进入文章学视域,苏、黄庭坚等文坛大家模仿《兰亭序》进行创作。同时,该论在宋人笔记小说中的反复讨论与持续发酵也成为《兰亭序》进入选本空间的直接推力,成书于宋末的《文选补遗》最早采录了《兰亭序》。进入元代后,这一形成于宋人笔记小说的热议更是随《兰亭序》一同进入选本空间,并成为影响《兰亭序》文学审美的关键要素。《古文真宝》率先参与“《兰亭序》不入《文选》”讨论后,明代多部选本亦涉及该论,而在清代以《古文析义》为代表的细密评点中,该论甚至统摄了对《兰亭序》的整体观照。In the context of discussions on textual selection for the Wen Xuan in the Song Dynasty,the topic of"the Exclusion of Lan Ting Xu from Wen Xuan"became a prominent literary issue in Song sketchbooks.This renowned calligraphic work thus entered the domain of literary studies,inspiring figures such as Su Shi and Huang Tingjian to emulate its style in their own writings.Simultaneously,the recurrent debates and ongoing ferment within Song sketchbooks served as direct impetus for the inclusion of Lan Ting Xu in anthologies.The Wen Xuan Bu Yi compiled at the end of the Song Dynasty,was the first to include Lan Ting Xu.In the Yuan Dynasty,this discourse originating from Song sketchbooks accompanied Lan Ting Xu into the realm of anthologies,becoming a key element influencing its literary aesthetics.Gu Wen Zhen Bao was among the first to engage in the discussion of"the Exclusion of Lan Ting Xu from Wen Xuan"In the Ming Dynasty,multiple anthologies also addressed this topic,while in the Qing Dynasty,detailed critiques such as those found in Gu Wen Xi Yi consolidated comprehensive assessments of Lan Ting Xu.
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