论明清通俗小说中诗词韵文的演变  

On the Evolution of Poetry and Verse in Ming and Qing Popular Fiction

作　　者：杨志君 Yang Zhijun

机构地区：[1]长沙学院马栏山新媒体学院

出　　处：《励耘学刊》2024年第2期205-216,314,共13页

基　　金：教育部人文社会科学研究青年基金项目“明清通俗小说对诗词的大众化传播研究”,项目编号:23YJC751039。

摘　　要：明清通俗小说中包含数量不等的诗词曲赋。以明末为界,明清通俗小说中的诗词韵文在数量上呈减少的趋势,在性质上呈现出从艺人诗词到文人诗词的变化,在与小说情节的关系上表现出由韵散分离到韵散融合的转变。这些变化体现了明清通俗小说逐渐摆脱说唱传统的影响,由世代累积走向文人独创,由书场走向案头。其背后的原因,主要是小说观念的进步、商业出版的考量,以及优秀文人加入通俗小说创作的队伍。The popular novels of the Ming and Qing dynasties contained varying numbers of poetry and rhymes.Taking the end of the Ming Dynasty as a boundary,the rhymes in the popular novels of the Ming and Qing dynasties decreased in number,showing a change from artist poems to literati poems in nature.The relationship of the rhymes with the plot of the novels changed from the separation of verse and prose to the fusion of verse and prose.These changes reflected that the popular novels of the Ming and Qing dynasties gradually rid themselves of the story-telling tradition and moved from the accumulation of generations to the originality of literati,and from storytelling platforms to literati desks.The reasons behind these changes were mainly the progress of novel concepts,the considerations for commercial publishing,and the participation of outstanding literati in popular novel creation.

关 键 词：明清 通俗小说 诗词韵文 

分 类 号：I20[文学—中国文学]