万历十七年科场案与明杂剧文人化转型——以王衡《郁轮袍》为中心  

The Imperial Examination Case in the 17th Year of Wanli and the Transformation of Literatization in the Ming Dynasty's Zaju-Focusing on Yu Lun Paoby Wang Heng

作　　者：高岩 Gao Yan

机构地区：[1]浙江海洋大学师范学院

出　　处：《励耘学刊》2024年第2期236-251,315,共17页

基　　金：省属本科高校基本科研业务费项目“中国古典戏曲元素在地方戏曲中的传承研究”,项目编号:YBK10236210101。

摘　　要：万历朝宰相王锡爵之子王衡以顺天科场案亲身经历为素材,于科场案第二年创作生平第一部杂剧《郁轮袍》,较早地将文人科举创伤写入杂剧,属明杂剧中“文人自我登场”的创作,集中反映了科场案对文人杂剧转型的促成意义,体现了转型期杂剧文本的典型性:既保留了元杂剧的文本痕迹,又表现出明杂剧文人化发展趋势。《郁轮袍》在万历剧坛的杂剧转型主要体现在三个方面,即题材转型、文体转型、功能转型。Wang Heng,the son of Wang Xijue,the prime minister of Wanli,based on his personal experience of the Shuntian Imperial Examination case,created the first Zaju Yu Lun Pao in the second year after the case.He wrote the trauma of literati examinations into the Zaju early,which belongs to the creation of"literati self-appearance"in the Zaju of the Ming Dynasty,and embodies the significance of the Imperial Examination case in promoting the literatization transformation of the Zaju,and represents the typical character of the Zaju text in the transformation period:it not only retains the textual traces of the Yuan Zaju,but also shows the Ming Dynasty's development trend of literatization,which is mainly reflected in three aspects,namely,the transformation of subject,style and function.

关 键 词：王衡 《郁轮袍》 科场案 杂剧 

分 类 号：I20[文学—中国文学]