从茶园、新剧场到现代剧场——清末民初流动演剧场中的民鸣社  

From Teahouses and New Stages to Modern Theatres:The Role of the Minming Society in Mobile Theatre

作　　者：翟月琴[1] Zhai Yueqin

机构地区：[1]上海戏剧学院

出　　处：《云南艺术学院学报》2024年第4期57-67,共11页

基　　金：上海市“曙光计划”资助项目“当代中国话剧演出批评研究”(项目编号:22SG48)阶段性成果。

摘　　要：1913至1917年间,民鸣社作为上海早期最成功的商业演剧团体,其演出场地几经辗转、变动,从上海的歌舞台、大新街三马路中舞台、法兰西影戏院与天声舞台到杭州城站第一舞台。民鸣社在不断扩充、革新的过程中,由茶园逐渐走向了“新剧场”乃至现代剧场,发挥着扭转戏院困局、促进海上茶园的衰落、开时代风气以及跨地域推动新剧潮流的作用。探讨四大演剧场中的民鸣社,对于重新审视清末民初“新潮演剧”的价值具有重要意义。Between 1913 and 1917,the Minming Society emerged as one of Shanghai's most successful early commercial theatre troupes.Its venues shifted from Shanghai's song and dance stage,the Zhong stage in Daxinjie Sanmalu Road,and the French Cinema Theatre to the Tiansheng Stage and Hangzhou's Chengzhan First Stage.This transformation from traditional teahouse settings to“new stages”and eventually modern theatres played a pivotal role in reshaping the theatre industry,hastening the decline of traditional teahouse theatres,fostering innovation,and promoting the regional spread of new theatre trends.Analyzing the Minming Society's activities in four key theatre spaces provides a renewed understanding of the cultural value of“new trend theatre”in the late Qing and early Republican periods.

关 键 词：民鸣社 茶园 “新剧场” 现代剧场 

分 类 号：J809.2[艺术—戏剧戏曲]