论王安忆长篇小说中的物象书写——以《长恨歌》《天香》《考工记》为例  

On the object depiction writing in Wang Anyi's novels:a case study of The Everlasting Regret,Heavenly Fragrance and The Artificer's Record

作　　者：韩佳殷 HAN Jia-yin(School of Liberal Arts,Liaoning Normal University,Dalian 116000,China)

机构地区：[1]辽宁师范大学文学院,辽宁大连116000

出　　处：《白城师范学院学报》2025年第1期25-31,共7页Journal of Baicheng Normal University

基　　金：辽宁省社会科学规划基金项目“文学期刊视阈下中国当代文学经典的生成研究”(L22BZW008)。

摘　　要：为探讨王安忆文学作品中“物”的书写方式、文化意蕴及对新时期文学发展的贡献,选取王安忆的《长恨歌》《天香》《考工记》三部长篇小说为研究对象,采用文本分析与文化解读的方法,深入阐述王安忆在物象书写上的独特艺术手法。王安忆笔下的“物”不仅是物质形态的存在,更是承载着个人情感与历史记忆的象征符号,展现了其深刻的审美追求和社会关怀。王安忆的“物”意识体现了她对传统文化的深刻理解和创新表达,对促进当代文学创作具有重要意义。To explore Wang Anyi's writing style concerning“objects”,cultural connotations,and her contributions to the development of literature in the new era,this paper selects three works by Wang Anyi:The Everlasting Regret,Heavenly Fragrance and The Artificer's Record delves into Wang Anyi's unique artistic techniques in the depiction of“objects”by textual analysis and cultural interpretation.The“objects”depicted by Wang Anyi are not merely physical entities but also symbolic signs that carry personal emotions and historical memories,demonstrating her profound aesthetic pursuit and social concern.Wang Anyi's consciousness of“objects”reflects her profound understanding and innovative expression of traditional culture,which is of great significance for promoting contemporary literary creation.

关 键 词：《长恨歌》 《天香》 《考工记》 物象书写 王安忆 

分 类 号：I207.42[文学—中国文学]