重构历史·复写现实·东北启示——论迟子建《东北故事集》叙事的三重维度  

Reconstruct history,rewrite reality,and enlighten Northeast China:three dimensions of the narrative of Chi Zijian's Collection of Northeast Stories

作　　者：桑楚庄 王启东[1] SANG Chu-zhuang;WANG Qi-dong(School of Liberal Arts,Yanbian University,Yanji 133002,China)

机构地区：[1]延边大学文学院,吉林延吉133002

出　　处：《白城师范学院学报》2025年第1期32-38,45,共8页Journal of Baicheng Normal University

摘　　要：东北女作家迟子建新作《东北故事集》讲述了三个繁复离奇的东北故事,具有内在精神一致性和外在形式多元性,其叙事艺术集中体现在历史、现实与东北三方面。历史维度以物的叙事为中心,坚持民间立场、幽灵叙事和感官书写的叙事手法,以个人命运重构历史记忆;现实维度围绕人性考验,表现救赎主题,在对普遍的精神困境反思中,延续了温情风格,展现了心灵力量和日常美学;东北维度进行了古典与悬疑形式实验的尝试,将东北的概念弥合于边缘与整体之间、个体与时代之际,不仅是作者与读者的精神复调,而且为未来关于东北写作提供新的可能性。The new work Collection of Northeast Stories by the northeastern female writer Chi Zijian tells three intricate and bizarre stories in the Northeast China,featuring internal spiritual consistency and external formal diversity.The narrative art of it is mainly reflected in the three aspects of history,reality and the Northeast.The historical dimension centers on object-oriented narration,adhering to the narrative techniques of folk perspective,ghostly narrative and sensory writing,and reconstructs historical memory through the fate of individuals.The realistic dimension centers on tests of humanity,expressing the theme of redemption.Through reflection on the common spiritual predicament,it continues the warm and tender style,demonstrating the power of the soul and the aesthetics of daily life.The Northeast dimension has attempted experiments in the forms of classicism and suspense,bridging the concept of Northeast China between the margins and the whole,as well as between the individual and the era.It is not only a spiritual polyphony between the author and readers but also offers new possibilities for future writings about Northeast China.

关 键 词：《东北故事集》 迟子建 叙事艺术 三重维度 

分 类 号：I207.42[文学—中国文学]