角色·情节·主题——论莫里哀喜剧《小丑吃醋记》《乔治·当丹》的改编艺术  

Character,plot,and theme:on the art of adapting Moliere's comedies The Jealous Joker and George Dandan

作　　者：韩其霖 HAN Qi-lin(School of Liberal Arts,Zhengzhou University,Zhengzhou 450001,China)

机构地区：[1]郑州大学文学院,河南郑州450001

出　　处：《白城师范学院学报》2025年第1期39-45,共7页Journal of Baicheng Normal University

基　　金：河南省研究生教育改革与质量提升工程项目“优质课程‘西方文化史’”(YJS2024KC07)。

摘　　要：莫里哀凭借早年流浪外省的演艺经历,结合民间闹剧与意大利即兴喜剧,将《十日谈》中托法诺的故事改编为剧本《小丑吃醋记》。在其创作的旺盛期,进一步将《小丑吃醋记》改编为《乔治·当丹》。对三部作品进行比较,莫里哀创造了博士、德·叟汤维勒等喜剧角色;增加重复、倒置、相互干涉的滑稽手法和“弹簧魔鬼”“提线木偶”的喜剧手法;将喜剧的讽刺主题作了从妒忌心到虚荣心的深化处理。在三部作品中,莫里哀保留了丈夫受到妻子嘲弄这一核心情节,将意大利有趣的短篇故事改编为笑料与社会讽刺意义并存的成熟喜剧,从长达数十年的改编中,可以领略这位喜剧大师精心的创作构思和改编艺术。Moliere adapted Tofano's story from The Decameron into the script The Jealous Joker by virtue of his early experience of wandering in other provinces,combining folk farce and Italian improvisational comedy.During his most productive period,Moliere further adapted The Jealous Joker into George Dandan.Comparing the three works,Moliere created the comic characters such as Doctor and De Soutonville.In terms of plot,the comic techniques of repetition,inversion and mutual interference and the comic techniques of“Spring Devil”and“Marionette”are added.The satirical theme of the comedy has been deepened from jealousy to vanity.In three works,Moliere adapted interesting Italian short stories into mature comedies that combine humor and social satire,based on the core plot of her husband being mocked by his wife as the protagonist.Through decades of adaptation,one can appreciate the meticulous creative ideas and adaptation art of this comedy master.

关 键 词：《小丑吃醋记》 《乔治·当丹》 莫里哀 改编艺术 

分 类 号：I565.073[文学—其他各国文学]