流动的空间:华莱坞电影剧作的文学地理研究(1913-1949)  

Flowing Space: A Literary Geography Study of Huallywood Cinema’s Screenwriting (1913-1949)

作　　者：周颖 Zhou Ying(School of Journalism and Communication,Wuhan University,Wuhan430072,China)

机构地区：[1]武汉大学新闻与传播学院,湖北武汉430072

出　　处：《浙江大学学报(人文社会科学版)》2024年第12期115-127,共13页Journal of Zhejiang University:Humanities and Social Sciences

基　　金：上海市哲学社会科学基金青年项目(2022EXW007)。

摘　　要：1913—1949年,华莱坞电影的编剧群体经历了丰富的文学地理活动。该阶段内有两次主要的地域迁徙:其一表现为以江南文人、作家、戏剧人为根基的编剧群体向上海的迁移;其二为抗战爆发后上海的编剧群体出走上海的创作行为选择,其路径为北上、西迁与南下。这两次大的创作行为变迁又塑造了电影剧作中迥然不同的地域叙事,即由1937年以前的江南空间跳脱出来,走向全国。进入上海与出走上海形塑了华莱坞电影编剧群体的创作行为选择,也带来了剧本创作观念的更新。在文学地理层面,这是外部地理要素对剧本文学创作的一次结构重组,它一方面催生了大量新的剧作流派,另一方面也扩大了华莱坞电影编剧群体的生存空间,拉近了电影艺术创作与广大人民群众的关系。This study analyzes the literary geography of Huallywood film scripts from 1913 to 1949.Specifically,by tracing and organizing where the screenwriters were from,where they worked,the places they wrote about,and where their films were shown,this study delves into the profound relationship between Huallywood film screenwriters,their works,and different regions of China.Regarding research innovation,previous studies have mostly relied on historical analysis,drama,or literary theory,so as to recreate the screenwriting activities in Chinese film history.Existing studies often focus on specific historical periods or the life stories of individual screenwriters.Research on the migration of film professionals,including actors,directors,producers,and screenwriters,tends to emphasize cultural and political reasons for migration,with little attention to the literary geography of screenwriting.It’s important to note that,the study of screenplay literature cannot be separated from specific screenwriting settings,which exist within a dynamic and intersecting structure of time and space.Therefore,this study attempts to conduct a literary geography analysis of Huallywood film scripts by connecting individual screenwriters and independent screenwriting settings,recreating a multidimensional time-space sequence of Huallywood film scripts.All these efforts intend to demonstrate an innovative research perspective.The findings indicate that the development of Huallywood film scripts from 1913 to 1949 went through four historical stages:the foundation period of Huallywood film development(1913-1931),the establishment of left-wing cinema(1932-1937),the wartime cinema during the War of Resistance Against Japanese Aggression(1937-1945),and the film creation period before the founding of the People’s Republic of China(1945-1949).The characteristics of these scripts witnessed a gradual shift,from criticizing reality,advocating for enlighten by education,and promoting progressive ideas to showcasing class conflicts and calling for count

关 键 词：华莱坞电影 电影编剧 文学地理 

分 类 号：I20[文学—中国文学]