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作 者:余梓梁 袁嘉悦 YU Ziliang;YUAN Jiayue
机构地区:[1]东京工业大学环境社会理工学院
出 处:《时代建筑》2024年第4期34-38,共5页Time + Architecture
摘 要:在前工业时代,日本的木建筑受到中国影响,通过对单一木构件的更替和转用,从局部出发更新整体,以谋求建筑的存续。这种柔软地应对外部环境的东方思维在可持续发展社会中获得了新的讨论价值。文章通过对第17届威尼斯建筑双年展日本馆中构件轨迹的研究,从物的本体性质与构成、建筑的生产和循环体系,以及相关社会角色的再定位三个方面,阐明了建筑再利用过程中人以及物之间的关联网络的重构,总结了该网络的设计方法,并提出了可持续发展社会的语境之下建筑循环的新的可能性。In the pre-industrial era,Japanese wooden architecture was influenced by China.By replacing and transferring individual wooden components,the whole structure could be updated from the part to seek the architecture's longevity.This Eastern thinking of flexible responses to the external environment has gained new value of discussion in a sustainable development society.Through the study of the trajectory of components in the Japanese Pavilion at the 17th Venice Architecture Biennale,this paper explains the reconstruction of the network of relationships between people and objects in the process of architectural reuse from three aspects:the nature and composition of objects,the production and circulation system of a rchitecture,and repositioning of related social roles.It summarizes the design methods of this network and proposes new possibilities for architectural circulation in the context of a sustainable society.
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