艺术的精神性传递——“第十四届全国美术作品展览壁画作品展”述评  

Spiritual Transmission of Art:Commentary on the Exhibition of Murals of the 14th National Exhibition of Fine Arts

作　　者：齐喆[1,2] Qi Zhe(Guangzhou Academy of Fine Arts;Mural Art Committee,China Artists Association)

机构地区：[1]广州美术学院 [2]中国美协壁画艺术委员会

出　　处：《美术》2025年第1期29-31,共3页Art Magazine

摘　　要：本文围绕“第十四届全国美术作品展览壁画作品展”,对中国当代壁画的发展现状进行剖析。首先,提出走进展厅的壁画如何展现壁画的建筑属性这一问题;其次,指出数字壁画首次进入全国美展,以及壁画创作从精致化、唯美化向在地化、朴素化转变的趋势;最后,强调了壁画创作者必须坚守壁画的艺术性,用艺术反映时代和生活,让壁画的表现不局限于描绘具体事件或场景,而是具有更广泛的精神性传递。This article analyzes the current development of contemporary Chinese murals on the basis of the Exhibition of Murals of the 14th National Exhibition of Fine Arts.It explains the architectural attribute of the mural that visitors first see in the exhibition hall,and points out that digital murals are included in the National Exhibition of Fine Arts for the first time and that murals now witness a trend of transforming from delicate,aesthetic creation to localized,simple creation.It also emphasizes that mural creators must maintain the artistic attributes of murals and reflect the times and life with art,which means murals,instead of being limited to specific events or scenes,should pursue a broader spiritual transmission.

关 键 词：全国美术作品展览 壁画 精神性 新时代美术 

分 类 号：J218.6[艺术—美术]