徽州木雕数字化展示设计的叙事实践策略探讨  

Discussion on the Narrative Practice Strategy of Huizhou Woodcarving Digital Display Design

作　　者：周雨颖 ZHOU Yuying(Anhui University of Technology,Ma'anshan 243000,Anhui,China)

机构地区：[1]安徽工业大学,安徽马鞍山243000

出　　处：《玩具世界》2024年第12期144-146,共3页Toys World

摘　　要：徽州木雕蕴藏深厚的文化内涵,但在时代变迁中面临着传承危机。数字化展示设计为徽州木雕提供了更为广袤的发展空间,但其仍存在一些不足。文章首先阐述了叙事在徽州木雕数字化展示设计中的作用,接着分析了徽州木雕数字化展示设计中叙事存在的主要问题,如叙事内容失真、数字技术与叙事不匹配、观众阶段叙述不一致等,最后提出了一系列有效的叙事实践策略,包括强化源头审核、动态调整技术手段、制定多视角导览等。通过分析与研究,以期为提高徽州木雕数字化展示设计的互动性、教育性与艺术性提供更多有益参考。Huizhou woodcarving contains profound cultural connotation,but it is facing the crisis of inheritance in the changing times.Digital display design provides a broader space for the development of Huizhou woodcarving,but there are still some shortcomings.This paper first ex-pounds the role of narrative in the digital display design of Huizhou woodcarving,and then analyzes the main prob-lems of narrative in the digital display design of Huizhou woodcarving,such as the distortion of narrative content,the mismatch between digital technology and narrative,and the inconsistency of audience stage narrative.Finally,a series of effective narrative practice strategies are put forward,including strengthening source audit,dynamically adjusting technical means,and formulating multi-perspec-tive guide.Through analysis and research,it is expected to provide more useful references for improving the inter-activity,education and artistry of Huizhou woodcarving digital display design.

关 键 词：徽州木雕 数字化展示设计 叙事 实践策略 

分 类 号：J314.2[艺术—美术]