桃花岛文学景观的道家隐逸色彩蠡探  

An Analysis of the Taoist Seclusion Thought of Peach Blossom Island Literary Landscape

作　　者：吴昌林[1] 万嘉欣 Wu Changlin;Wan Jiaxin(School of Humanities and Social Sciences,East China Jiaotong University,Nanchang,Jiangxi 330013,China)

机构地区：[1]华东交通大学人文社会科学学院,江西南昌330013

出　　处：《湖北工程学院学报》2025年第1期35-41,共7页Journal of Hubei Engineering University

基　　金：江西省社会科学“十三五”基金项目(20WX10);江西省2023年度研究生创新专项资金项目(YC2023-S475)。

摘　　要：桃花意象作为道家文化的典型象征,在舟山群岛东南部的桃花岛得以深厚体现,该岛自秦朝道士安期生隐居炼丹传说起,便成为道家隐逸理念的实体化表征。历代文人诗词与金庸武侠巨著对此的描绘,通过桃花岛文学景观与武侠人物的呈现,不断加深其道家文化内涵,映射出道家推崇独立自由个性、追寻桃源理想社会、践行天人合一理念的思想具化,体现着丰富的道家思想和精神元素。桃花岛文学景观不仅是蕴涵着古今文人对天人自然的向往歌颂,更体现着中华民族立足文学景观自然生发的文化传承与创造功能。The image of peach blossoms,as a typical symbol of Taoist culture,is deeply reflected on Taohua Island in the southeastern of the Zhoushan Archipelago.Since the legend of Taoist An Qisheng’s seclusion and alchemy in the pre-Qin period,this island has become a tangible representation of Taoist reclusive philosophy.The depiction in the poetry of literati throughout history and the martial arts masterpieces of Jin Yong,through the literary landscape of Peach Blossom Island and the presentation of martial arts characters,continuously deepens its Taoist cultural connotation,reflecting the Taoist philosophy of advocating independent and free personality,pursuing the ideal society of Peach Blossom Land,and practicing the concept of harmony between heaven and man,embodying rich Taoist ideas and spiritual elements.The literary landscape of Taohua Island not only embodies the yearning and praise of ancient and modern literati for heaven,man,and nature,but also reflects the cultural inheritance and creative function of the Chinese nation based on the natural development of literary landscapes.

关 键 词：桃花岛 道家思想 隐逸 文学景观 

分 类 号：I207.4[文学—中国文学]