近三十年国内外美国华裔诗歌的研究综述  

An Overview of Chinese American Poetry Studies at Home and Abroad in the Past Thirty Years

作　　者：倪志娟[1] 曾国桢 Ni Zhijuan;Zeng Guozhen(School of Media and Design,Hangzhou Dianzi University,Hangzhou,Zhejiang310018,China)

机构地区：[1]杭州电子科技大学人艺数法学院,浙江杭州310018

出　　处：《湖北工程学院学报》2025年第1期42-48,共7页Journal of Hubei Engineering University

摘　　要：美国华裔诗歌以初代中国移民创作的《埃仑诗集》和《金山歌集》为起点,在上个世纪60、70年代的族裔民权运动中得到蓬勃发展,发展到今天,已经取得了斐然的成绩,涌现出了李立扬、宋凯西、陈美玲、姚强等多位有影响力的诗人;同时,国内外对美国华裔诗歌的研究正逐渐丰富,主要聚焦于四个方面:跨文化身份研究、诗歌主题研究、诗歌特征研究、比较研究。就现有的研究成果看,还存在明显的不足,主要表现在“唯中国文化”研究倾向;研究视角和范围还有待拓展;缺少有效的批评范式与理论。Chinese American poetry started with The Songs of Gold Mountain:Cantonese Rhymes from San Francisco Chinatown and History of Chinese Detained on Island which were composed by the first generation of Chinese immigrants and flourished in the civil rights movement in the 1960s-1970s.Up to now,it has obtained great achievements and has many influential poets like Li-Young Lee,Cathy Song,Marilyn Chin,John Yau,etc.At the same time,research on Chinese American poetry at home and abroad is gradually enriching,mainly focusing on four issues:cross-cultural identity research,poetry characteristics research,comparative research and poetry theme research.As far as the existing research results are concerned,there are still obvious deficiencies which are mainly manifested in the tendency of“Chinese culture only”research,the relatively narrow research perspectives and scopes and the lack of effective critical paradigms and theories.

关 键 词：美国华裔诗歌 研究综述 跨文化身份 诗歌特征 

分 类 号：I106[文学—世界文学]