徘徊于信与弃之间——论穆旦诗歌的超越性维度  

Wandering Between Faith and Renunciation:the Transcendent Dimension of Mu Dan’s Poetry

作　　者：金冰儿 JIN Bing’er(The College of Literature and Journalism,Sichuan University,Chengdu Sichuan 610207,China)

机构地区：[1]四川大学文学与新闻学院,四川成都610207

出　　处：《泉州师范学院学报》2024年第6期54-61,共8页Journal of Quanzhou Normal University

摘　　要：穆旦诗歌中的宗教意识、民族国家意识根本而言源自其超越现实困境的需求。1994年前,穆旦以抒情主体的超越性视角为基础,在排斥个体经验的超越性维度中建构神性与历史理性,为现实苦难提供意义。穆旦对英美现代派的选择性吸收正是超越性维度可能的来源,其对艾略特的翻译及题注皆体现译者对批判视角的主观偏重.该维度在20世纪40年代中期渐趋瓦解,在穆旦晚年被抛弃。收录于1947年《穆旦诗集》的《神魔之争》较于1941年初刊本的修改,恰是超越性落地的缩影。The religious consciousness and nation consciousness in Mu Dan’s poetry all fundamentally stem from his desire to overcome social difficulties.In his poetry before 1944,Mu Dan based on the lyric self’s own perspective of transcendence,constructed both divinity and historical sense as the transcendent dimension,which excludes individual experience but provides significance for their suffering.This dimension may come from Mu Dan’s selective absorption of modernistic poems.Mu Dan’s translation and annotation of T.S.Eliot reflect the translator’s personal emphasis on critical perspective.This dimension was disintegrated by Mu Dan in the middle 1940s,then abandoned in his old age writing.The Controversy of God and Demon,which was included in Mu Dan Poetry in 1947,was a microcosm of its destruction.

关 键 词：穆旦 超越性维度 宗教意识 民族国家意识 

分 类 号：I226.2[文学—中国文学]