陈三五娘弦管曲《绣成孤鸾》源流史探——从曲文、曲词衍化论起  

A Study on the Origin and History of Xian Guan Songs Xiu Cheng Gu Luan:Starting from the Derivation of Qu Wen and Qu Ci

作　　者：张光宇[1] ZHANG Guangyu(School of Music and Dance,Quanzhou Normal University,Fujian 362000,China)

机构地区：[1]泉州师范学院音乐与舞蹈学院,福建泉州362000

出　　处：《泉州师范学院学报》2024年第6期103-112,共10页Journal of Quanzhou Normal University

基　　金：福建省社会科学基金项目(FJ2022B119)。

摘　　要：弦管曲《绣成孤鸾》是泉州梨园戏《陈三五娘》剧目中的一首经典名曲,曲牌为[望吾乡],管门为倍思品管(F调)。该曲从明代嘉靖《荔镜记》本到清代顺治、道光、光绪的《荔枝记》本,再到新中国成立初期泉州梨园老艺人蔡尤本口述的《陈三》本,其曲词、曲牌、管门的故事情节及音乐结构一脉相传。泉州弦管曲《绣成孤鸾》传承下来则有散曲与指套曲两种音乐形式,散曲曲牌为[望吾乡],管门为倍思管(D调),指套曲的曲牌则为[锦板],管门为五空管(C调),二者不仅曲牌名不一样,连同曲词也几乎不相同。通过对比这三种音乐形式的《绣成孤鸾》曲文与曲词,探寻陈三五娘弦管曲《绣成孤鸾》的历史源流、音乐形式及其曲文与曲词衍化的艺术特征。Xian guan songs Xiu cheng gu luan is a classic and famous piece in the repertoire of Quanzhou Liyuan Opera Chen San Wu Niang.The Qupai is[Wang wu xiang],The Guan men is the beisi guan(F key).The song ranges from Jiajing’s Lijing Ji in the Ming Dynasty to the Lizhi Ji in Shunzhi,Daoguang and Guangxu in the Qing Dynasty,and then to the“Chen san”written by Cai Youben,an old artist in Liyuan,Quanzhou in the early days of the founding of the People’s Republic of China,Guan men is the storyline and musical structure handed down in the same vein.However,the Quanzhou chord music Xiu cheng gu luan has two musical forms:Sanqu and Zhitao qu.The Sanqu Qupai is[Wang wu xiang],The Guan men is the beisi guan(D key);the Zhitao qu and Qupai is[Jinban],the Guan men is Wu kong guan(C key),but the two are not only different in the name of the song,but also almost the same as the lyrics.By comparing the composition and lyrics of Xiu cheng gu luan in these three musical forms,this paper explores the historical origin,musical form and the art of derivation of the composition and lyrics of Chen San Wu Niang’s orchestral Xiu cheng Gu Luan feature.

关 键 词：陈三五娘 弦管曲 《绣成孤鸾》 曲文 曲词 

分 类 号：J607[艺术—音乐]