《威尼斯商人》中父女关系的多维解读:女性主义视角下的自主权探索  

A Multidimensional Interpretation of the Relationship between Father and Daughter in The Merchant of Venice:An exploration of Autonomy from a Feminist Perspective

作　　者：张映婷 ZHANG Ying-ting(School of International Cooperation,Guangdong Polytechnic of Science and Technology,Zhuhai Guangdong 519090,China)

机构地区：[1]广东科学技术职业学院国际合作学院,广东珠海519090

出　　处：《佳木斯大学社会科学学报》2025年第2期84-86,95,共4页Journal of Social Science of Jiamusi University

摘　　要：莎士比亚通过《威尼斯商人》中两对父女关系的刻画,展现了女性角色的自我意识觉醒,不甘于作为父亲的“个人物品”或“附属品”生活在世上。她们对父权主义提出异议甚至抗争。虽然,她们的抗争并不彻底,最后依然选择屈从于丈夫,即男权主义的化身。但是,莎士比亚在剧中为女性发声,认可性别平等,就是一种超前的进步思想。In The Merchant of Venice,Shakespeare’s depiction of two father-daughter relationships offers a nuanced portrayal of female self-awareness.The female characters reject the notion of being treated as paternal“possessions”or“appendages,”thereby contesting patriarchal norms.Although their resistance is ultimately subsumed by their submission to their husbands—symbols of patriarchal authority—Shakespeare’s representation of female voices and his implicit endorsement of gender equality reflect a progressive and forward-thinking ideology.

关 键 词：莎士比亚 《威尼斯商人》 父女关系 女性主义 

分 类 号：I106.3[文学—世界文学]