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作 者:逄增玉[1] PANG Zengyu(School of Humanities,Communication University of China,Beijing 100024,China)
出 处:《厦门大学学报(哲学社会科学版)》2025年第1期157-166,共10页Journal of Xiamen University(A Bimonthly for Studies in Arts & Social Sciences)
基 金:国家社会科学基金一般项目“百年东北话剧史研究”(21BZW196)。
摘 要:近百年中国与东北话剧史上,朝鲜族的话剧运动随着历史时代变迁一直存在和发展,出现了较多的话剧团体,创作和演出了数量众多的话剧。这些话剧紧密关注和围绕不同时期的重要社会问题和现象,构制主题与内容,表现和回应社会与国族之精神需求和政治历史诉求,具有鲜明的时代性与历史阶段性,并能够跨越民族身份和地域语言的区隔,以朝鲜语和汉语双语并具的方式进行创作和演出,以满足不同区域各族裔观众的接受期待视界。东北朝鲜族话剧对形塑时代核心价值观和中华文化与民族共同体、参与建构人民性文艺和人民主体的大众意识形态与文化记忆,发挥了重要和积极的作用,并在接受百年中国主流话剧影响和艺术水准提升的同时,也丰富和“扩容”了百年中国话剧的内涵与风范,成为百年话剧史上充满地域民族风的话剧“金达莱”。Over the past century,the Korean ethnic drama movement has developed within the broader context of Chinese and Northeast Chinese drama,evolving alongside changing historical eras.Numerous theater groups have emerged,creating and performing a rich array of plays that tackle significant social issues and phenomena pertinent to various time periods.These dramas are designed to reflect and respond to the spiritual needs and political-historical demands of both society and the nation.This movement features distinct phases and transcends ethnic and regional linguistic barriers by producing works in both Korean and Chinese.Its aim is to resonate with the expectations and perspectives of diverse audiences,shaping the core values of the times while enriching Chinese culture and fostering a sense of national community.Additionally,this movement plays a crucial role in shaping mass ideology and cultural memory.While it has embraced the influence of mainstream Chinese drama over the past century,raising artistic standards,it has also contributed to the enrichment and expansion of the connotations and styles of Chinese drama.As a result,it has become a unique“Kundalai,”reflecting regional and ethnic flavors within the century-long history of drama.
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