当代诗歌话语语义生成的选择原则  

The Selection Principle of Semantic Generation in Contemporary Poetry Discourse

作　　者：李心释[1] 覃冬妮 Li Xinshi;Qin Dongni(College of Literature,Southwest University,Chongqing 400715,China;School of Tourism and Public Management,Guangxi Vocational Normal University,Nanning 530007,China)

机构地区：[1]西南大学文学院,重庆400715 [2]广西职业师范学院旅游与公共管理学院,广西南宁530007

出　　处：《东方论坛—青岛大学学报(社会科学版)》2025年第1期90-99,共10页Eastern Forum(JOURNAL OF QINGDAO UNIVERSITY)

基　　金：国家社会科学基金项目“当代诗歌‘元诗’观念及实践问题研究”(23BZW146)的阶段性成果。

摘　　要：诗歌是一种从选择轴并由之主导向组合轴投射的话语类型,话语沿相似性和邻近性两种不同的语义路线发展,在诗歌中相似性语义路线往往在选择中起决定作用,但突出对象之间的差异性,选择过程比普通话语有更大的自由度,聚合空间更大。当代诗歌话语的选择目标是生成新的创造性的语义关系,所指层的选择与能指层的选择尤其是分行,相互适应、相互激活,共同参与创造性语义关系的建构。与相似性和邻近性对应,当代诗歌的创造性表现为发明性和发现性两种选择方式,既可能以其中一种方式为主,也可能是两种方式的交替使用,还可能是不同方式的交织。Poetry is a type of discourse that is guided by the selection axis and projects form it onto the combination axis.Discourse develops along two different semantic routes:similarity and proximity.In poetry,the semantic route of similarity often plays a decisive role in the selection process while highlighting the differences between objects.The selection process in poetry allows for greater freedom than in ordinary discourse and offers a larger space for aggregation.The goal of selection in contemporary poetry discourse is to generate new and creative semantic relationships.The choices made at the level of reference and signifier,particularly in line breaks,adapt and activate each other,participating together in the construction of creative semantic relationships.Corresponding to similarity and proximity,contemporary poetry's creativity manifests itself through two modes of selection:invention and discovery.These modes can either dominate individually or alternate with each other,and they may also intertwine different approaches.

关 键 词：当代诗歌 话语 语义 选择 

分 类 号：I207.25[文学—中国文学]