东汉后期辞赋创作的新风貌  

New Style of Cifu Creation in late Eastern Han Dynasty

作　　者：张峰屹[1] Zhang Fengyi

机构地区：[1]南开大学文学院

出　　处：《文学与文化》2024年第4期4-13,共10页Literature and Culture Studies

基　　金：国家社科基金项目“汉代五崔集辑校”(20BZW100)的相关成果。

摘　　要：东汉后期的辞赋创作,呈现出耳目一新的风貌:直书政治观感和理念的讽谏或颂美的创作,不再是辞赋创作的主流;代之而起的,是遍布赋坛的抒情述志或逞才游艺的创作。抒写个性化的人生实感,表现一己的生活情趣,甚至炫耀才学、逞竞作文艺术,成为这个时期辞赋创作的普遍现象。这一创作倾向转变的文学思想意义在于:文学创作突破了有汉以来强大的美刺传统,摆脱了政治和经学的桎梏,回归文学自身从而走向独立自足。The entirely new features of cifu style prose and poem writing appeared in the late Eastern Han Dynasty.The mainstream of cifu style proses and poems is no longer the direct writing of satirical persuasion or eulogy of the political perception and conception,but the prevailing lyrical narration and talented entertainment instead.It a common phenomenon in this period that people turned to express their personal feelings and their own tastes of life,and try particularly to show off their talents,knowledge and competitiveness in artistic creations.The significance of this literary ideological transformation lies in the fact that literary creation had broken through the formidable tradition of compliments and satiration since the Han Dynasty,cast off the political and cliched classical shackles,and returned to literature proper for the independent development Xi'jinping.

关 键 词：东汉后期 辞赋 抒情述志 逞才游艺 

分 类 号：I20[文学—中国文学]