欧阳予倩的戏曲历史剧创作及其史剧创作观  

Ouyang Yuqian's Creation and View on Historical Drama in Traditional Chinese Opera

作　　者：伏涤修 Fu Dixiu

机构地区：[1]浙江传媒学院浙江省影视与戏剧研究中心

出　　处：《文学与文化》2024年第4期82-89,共8页Literature and Culture Studies

基　　金：国家社科基金艺术学重大项目“中国戏曲历史题材创作研究”(批准号:20ZD23);国家社科基金重大项目“欧阳予倩文献深度发掘整理、研究及数据库建设”(批准号:21&ZD350)阶段性成果。

摘　　要：欧阳予倩的戏曲历史剧创作经历了从个人化创作到为抗战服务的变化,他的戏曲历史剧对前人剧作、原有故事多有改创甚至翻案,其戏曲历史剧在题材选择、女性和动摇软弱文人形象塑造上特色鲜明。欧阳予倩的史剧创作观主要有:在历史剧和戏剧、历史的关系上,认为历史剧本质上是剧不是史;在历史剧和现实关系的认识上,经历了从反对将戏剧作为宣传工具到主张以史剧为抗战服务的变化;在历史剧如何“古为今用”上,认为一要重视选材,二要把握好影射、讽刺等的限度;在历史剧和历史材料的关系上,反对盲从历史记载,主张对历史材料有所取有所不取。The Creation of Ouyang Yuqian's historical drama has undergone a change from personalized creation to serving the War of Resistance against Japanese Aggression.His historical plays have modified and even reversed the original stories of his predecessors.There are distinctive characteristics in terms of subject-matter selection and portrayal of women and weakness of ancient literati.His view on historical drama creation is mainly as follows:firstly,he believes that the essence of historical drama is drama rather than history;secondly,his attitude changed in understanding the relationship between historical dramas and reality.There has been a shift from opposing the use of dramas as propaganda tools to advocating serving the War of Resistance against Japanese Aggression with historical dramas.By exploring how historical dramas can be applied for the present purpose,he believes that selection of subject matter takes priority.And it is also important to hold rational limits in use of innuendo and sarcasm.In terms of the relationship between historical dramas and historical materials,he advocates to choose proper historical materials rather than following historical records blindly.

关 键 词：欧阳予倩 戏曲创作 历史剧 史剧观 

分 类 号：I20[文学—中国文学]