网络文学改编动画的女性形象建构与审美研究  

The Female Image Construction and Aesthetic Research of the Network Literature Adapted Animation

作　　者：王世灿 WANG Shican(College of Literature and Communication,Yunnan Minzu University,Kunming 650504,China)

机构地区：[1]云南民族大学文学与传媒学院,昆明650504

出　　处：《河北软件职业技术学院学报》2024年第4期72-76,共5页Journal of Hebei Software Institute

基　　金：教育部人文社会科学研究项目“中国当代奇幻小说叙事研究”(20YJC751023)。

摘　　要：网络文学改编动画是“后期现代”社会数字亚文化语境中从文字叙述到图像叙述的数字符号产物。其中,女性形象是文学/动画、社会/文化相呼应的同构实践。这些女性形象作为动画文本的非“噪音”存在,分为主角型和配角型,具有各自的特征,且由一套合理的元语言所建构,同时因承载多种欲望而被凝视。女性形象是“元符号化”的符号升级想象,源于网络文学,自身“性向”精准却发生表达偏离,并被男权话语的执行者模塑为“单向度”形象。此外,受众与改编动画文本达成共识,双方以互信为前提,利用动画的形式元素编码女性“美理想”,在“诗性”文化时代将其“美的形式”普遍化。改编动画的“横向真知”使受众以“浸没”方式与女性形象“似真性”构成情感共鸣,从而搭建起女性形象的“数字美学”空间,甚至衍生出“虚拟偶像”。改编动画由此为从女性主义视域对其中女性形象的研究提供了文本多义可能。The female images in the adaptation of network literature into animation as a non-noise existence of the animation text,divided into the leading role and supporting role,with their own characteristics.At the same time,the female image is stared at to carry a variety of desires,constructed by a set of meta language system:it is the“meta-symbolization”of the symbol upgrade imagination,which originates from the network literature,and its own“sexual orientation”is accurate but the expression deviation,and is molded into a“one-dimensional”image by the executive of male power discourse.In addition,the audience and the adaptation of the animation text reach a conspiracy,the two sides on the premise of mutual trust,using the formal elements of the animation to encode the female“beauty ideal”,and in the“poetic”cultural era to generalize the“beauty of the form”,and generate the“digital aesthetics”space of the female image,and even derivative of the“virtual idol”.

关 键 词：网络文学 改编动画 后期现代 女性形象 元语言 

分 类 号：J954[艺术—电影电视艺术] I207.42[文学—中国文学]